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Book Description: Critic Christopher Miles describes Tony Oursler's disturbingly manic and technically fascinating video installations thus: 'A personality fragments when multiple images of a single babble spouting face are projected onto side by side heads of varied sizes the main psyche and all the little voices in the nooks of the mind and elsewhere dolls debate, exchange mania and commiserate. Enormous eyes blink and watch from the spheres onto which they're projected; a massive fiberglass skull becomes a screen for a montage of fragmented faces; and assorted figures hang around (literally), voicing concerns, barking demands and offering speculation about their world.' This volume, published concurrently with an international traveling exhibition, provides an in depth examination of the artist's psychologically charged environments in which he flips through Postmodern themes such as alienation, media manipulation and fragmented consciousness as restlessly as an insomniac channel surfing on late night TV.

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